Snow is starting to fall. Looks like we’ll be having a white Christmas in Seattle! Here’s to peace, love, music, health, and joy today, and every day. Here’s my daughter, Ruby, and I playing Christmas Cookies (Dec. 17, 2017 at Music Center of the Northwest), originally recorded by George Strait, written by Aaron Barker. Merry Christmas!
Rodeo queens, show girls, casinos, hustlers, Texas hold ’em, slots, swanky shops, and mile after mile of neon lights, oh my! Last weekend, Joe and I took a trip to Las Vegas, my first time. Why Vegas? Two words: George Strait.
I’ve been listening to and singing George Strait songs for over thirty years. I love his soothing voice, the beautiful songs, his personality, and his old- school country sound. What’s better than George singing more than thirty of his greatest hits, accompanied by the Ace in the Hole Band? Amarillo By Mornin’, Check Yes or No, The Chair, Easy Come Easy Go, are some of my favorites. I also enjoyed the two songs tribute to Merle Haggard, including, Are the Good Times Really Over, now that’s some old-time country!
I can’t stop thinking about the show, what a delight to experience a stage full of seasoned musicians who effortlessly and elegantly tossed off hit after hit. I think musicians of all genres would find inspiration in watching these professionals at work. Some of those guys were in their late 70’s if not 80’s. Definitely not their first rodeo.
While in the big AT&T Stadium, the concert had excellent sound with amazing views of George and the band no matter where he was standing on the square-shaped stage, thanks to the Jumbotron. For the encore, the George and the band played a perennial favorite… All My Ex’s Live in Texas, the Milk Cow Blues, and an old-time swing number, Take Me Back to Tulsa. Here’s George Strait singing Old Troubadour.
We also took in Cirque du Soleil’s One, featuring the music of Michael Jackson. A stunning show with death-defying acrobatics, creative staging, brilliant costumes, amazing performers, and dazzling lighting. Standouts of the show include, Billy Jean danced in the dark, the dancers (and flying acrobats), outlined by a tiny lights, the sexy, Dirty Diana, danced by an athletic, and incredibly flexible woman, the fierce female bass player playing all those memorable riffs such as Beat it and Smooth Criminal, and a hologram of the King of Pop himself, dancing the grand finale of the show. Absolutely mesmerizing. Here’s the trailer for the show.
Below are some shots of the strip and check out George Strait singing Old Troubadour.
Fourteen performances in four days in six different venues! (Sounds like a country song) I’ve just returned to Seattle after presenting my program,Heart and Place, Music of the Westward Expansion, in Great Falls, MT last week. The week involved hauling around a guitar, fiddle, Cheyenne Courting Flute, and sometimes a full size keyboard, and amp along with samples of C.M. Russell artwork.
The C.M. Russell Museum sponsored the residency which included programs in middle and high schools, as well as an evening performance in the museum.
The highlight was playing a concert in the intimate setting of the museum for around eighty people on a beautiful Yamaha grand. There was something magical about playing 19th Century music surrounded by Russell’s artwork and artifacts from the same era. Many people in the audience were from my hometown of Choteau. Choteau is 50 miles down the road from Great Falls. Thanks to all who made the journey down the road!
I can’t say enough about the dedicated arts professionals in Great Falls including the music and art teachers in the classrooms, along with the Music and Art Supervisor for Great Falls Schools, Dusty Molyneaux and Eileen Laskowski, Education and Programs Manager for the C.M. Russell Museum.
I’m in love with Montana. For other states I have admiration, respect, recognition, even some affection. But with Montana it is love. And it’s difficult to analyze love when you’re in it.
I’m delighted to announce the launch of a new program, Heart and Place: Stories of the Westward Expansion told through music and narrative. This project feels like coming home, as I grew up in rural Montana. Choteau, Montana, to be precise, population 1800.
My early music experiences in that small town and have fueled my career as a music educator/ musician. Some of those experiences include singing in choirs, playing in band, studying piano, playing for church, acting in musicals, and to driving to the next small town for voice lessons. This program brings it all home.
I’ll be launching the program in Seattle on Oct. 14 and will be taking it to Montana to perform at the CM Russell Museum Oct. 26, 7:00, as well as several Great Falls area schools.
The story of the West is epic, and while I cannot focus on everything, I’ve chosen certain aspects to highlight including the music of the Overland Trail, the early frontier settlements, and the Northern Cheyenne Courting Flute as taught to me by Jay Old Mouse of Busby, Montana. The performance includes solo piano music, singing, guitar, and demonstrations on the fiddle and the Northern Cheyenne Courting Flute.
“COURAGE IS BEING SCARED TO DEATH, BUT SADDLING UP ANYWAY.” ― JOHN WAYNE
Billings, Montana, marketed as Montana’s trailhead, located in South Central Montana in Yellowstone County, serves as Montana’s largest city with a population of nearly 115,000 residents. I was born in Billings while My Dad was attending Eastern Montana College (now Montana State Billings). My Mom reports we lived in a humble abode ( a garage) for around $30.00 per month. We lived in Billings for my first four years, then moved to Poplar, Montana, then ended up in Choteau, Montana.
My recent trip to Billings, accompanied by Joe, was nostalgic, relaxing and educational. The primary reason for the trip was to pay a visit to Jay Old Mouse and learn about the Northern Cheyenne Courting Flute. In a couple of packed days, we visited the Little Bighorn Battlefield, hiked along the Rim Rocks, strolled along the Victorian Mansions in the Historic District, and visited the Western Heritage Museum. We also spent time with my brother and family who drove over from Clyde Park, near Bozeman. (also ate at a great restaurant called the Wild Ginger!)
Cheyenne Courting Flute made by JD Old Mouse now part of my instrument collection.
My first recording on the Northern Cheyenne Courting Flute…. The flute is not tuned to a traditional diatonic scale, the sound is more improvisational, however, I have found that I can play some folk songs. Here is a sample of me playing Wayfaring Stranger on my beautiful flute.
In traditional Northern Cheyenne culture, when the time came for a young man to find a mate, he would enlist the help of the tribal flute maker. The flute, made of cedar wood, showcases a bull elk, along with sun and moon carvings. This design honors the elk for shelter, food, and clothing, and the sun and the moon for the blessings of the day and the night. Upon receiving his flute, the young man would go off to a quiet area and play a love song, hoping to attract the attention of his intended mate.
Although not used for courting anymore, the tradition of flute making and playing continues through the work of JD Old Mouse, a Northern Cheyenne Indian who lives in Busby, MT. Busby is about a 1.5 drive from Billings, MT on the Northern Cheyenne Reservation, near the Little Big Horn Battlefield. This was a pilgrimage from Seattle to Eastern Montana (my native state) to learn about an aspect of Native American music from a primary source. This is part of a larger music project I’m creating called Heart and Place: Exploring Westward Expansion through music and stories.
JD traces his flute lineage back three generations starting with Turkey Legs who lived near Fort Keough (Miles City, Montana) in the late 1800’s. After Turkey Legs, the tradition was passed to Grover Wolf Voice, then to Douglas Glenmore, also known as Blackbear.
Turkey Legs circa 1890, Montana
Grover Wolf Voice
Jay Old Mouse with his grandfather, Douglas Glenmore
Jay Old Mouse teaching me how to play
JD learned the craft of building the flute from his grandfather, Douglas Glenmore. Not only did JD learn the building of the flute, but he’s also a master at playing. He plays for weddings, funerals, schools and other special occasions. Whenever a flute player is requested, JD answers the call, this is part of the flute maker’s responsibility and legacy.
Last week, I had the privilege of spending a morning with Jay and his wife, Amy, at their home outside of Busby to learn about the Northern Cheyenne Flute, an experience I’ll never forget. Jay showed me photographs of early flute builders and samples of their flutes, he also played the flute and gave me a lesson on playing this gorgeous instrument. I felt honored to get a peek into this culturally rich world. I purchased one of his wonderful flutes, which I brought home to Seattle.
Traditionally, the flute is played only by men, but JD has given his blessing for me to play and talk about the flute. He has built flutes for other women who are interested in the flute for healing , or for educational purposes.
For a video of Jay talking about and playing the Northern Cheyenne Courting Flute visit, please visit here.
Jay is a warm-hearted, funny, wise, and and soulful. Talking with him feels like a visit with those three great generations of Northern Cheyenne Flute makers who came before him.
“Old Skool” Jay’s workshop, a converted school bus
Me and Jay after lunch near the Little Big Horn Battlefield.
Girls with Guitars! Last week, I taught a beginning guitar day camp that introduced these young ladies to the guitar. Thanks Ruby (my daughter), in the pink shorts, for helping me this week! We had a blast. We met for two hours every day Monday-Friday and our week culminated in a performance for family and friends on the deck.
Our songs for the week included….. Firework by Katy Perry, You Belong With Me by Taylor Swift, This Land is Your Land by Woodie Guthrie, and a traditional camp song… Ain’t No Bugs on Me.
I’d like to give a shout out to Rob Hampton of Heartwood Guitar. I love Rob’s site and frequently pull from his 600+ chord charts for inspiration. Thanks a million Rob for all of the great work you do! (I’m convinced you never sleep) These girls certainly appreciated learning such cool and accessible songs!
Here are two wonderful links to the song: Girls with Guitars who was written by Mary Chapin Carpenter performing it here. Also check out the incomparable Wynnona Judd performing it here. Oh, to be that fierce on stage!
Everyone love guitar, including French composer, Cécile Chaminade (1857-1944), who wrote this piece for solo piano: Guitare , which I recorded a couple of years ago on Women with a Past.
Remember that old song, I don’t Want to Work? Well, last week, I got paid to bang on the drum all day! Among my music offerings including performances and private lessons, I work in communities near and far as a teaching artist. This means I utilize my skills and knowledge as a music educator and performer to tailor music experiences for a variety of audiences. For example, I’ve crafted tambourines and danced the Tarantella with elementary students, I’ve taught singalongs at retirement homes, and I’ve taught teenage Spanish classes the Salsa!
This past week, I taught classes in bucket drumming as part of an arts camp offered to elementary aged kids and teens through the Shoreline Lake Forest Park Arts Council. I was one of several teaching artists offering unique arts experiences including, movie making/editing, theater improv, print making, fiber arts, cartooning, silhouette creation, and cooking, to name a few. The goal of the camp, according to Kelly Lie, Shoreline Lake Forest Park Arts Education manager? The Three E’s: Expose, Experience, Experiment! I’ll say, the campers experienced the three E’s in a big way!
My class, Rhythm Explosion, included Latin American percussion, bucket drums, body percussion, and repurposing recycled materials into percussion instruments. I met with two groups of students each day for a week. The overall experience culminated in an Arts Showcase where all participants presented their work to family and friends. Our final performance included both improvisation and composed pieces.
The great thing about bucket drumming? It only requires a five gallon bucket, a pair of drum sticks, and imagination. (Ear plugs don’t hurt either!) There’s something cathartic about banging out rhythms in a group, or solo experience.
The work the students (with the help of some outstanding teachers) completed during the week was impressive. The showcase included a professional looking gallery of visual art along with a variety of live performances. Upon exiting the showcase, audience members were offered an icy cold fruit pop made by the culinary arts class.
Lorie Hoffman, executive director of the Shoreline arts council gave a presentation during the week about being an artist. She told us, “Making art makes my heart sing.” This week made my heart sing. I can’t help but think experiences like this have ripple effects and improve the world little by little, poco a poco.
“It is in Apple’s DNA that technology alone is not enough—it’s technology married with liberal arts, married with the humanities, that yields us the results that make our heart sing.”
–Steve Jobs, in introducing the iPad 2 in 2011
For more on bucket drumming, I encourage you to check out this clip:
Santa Fe proved a sweet destination for Spring break 2017. My (soon to be 15 years old!) daughter and I headed down to the beautiful Southwest for some desert fun in the sun.
Santa Fe, steeped in complex history and diverse cultures, is a mecca for art and history museums. The Museum of Indian Arts and Culture and The Museum of International Folk Art, are both situated on Museum Hill overlooking 365 degree views of the mountains and the sweeping desert landscape. We stopped at a café for an outside table taking in the view between museum going.
Along with an impressive historical display depicting the lives of the indigenous cultures of the Southwest, The Indian Arts and Cultures museum included thought-provoking works by contemporary Native American artist, Frank Buffalo Hyde.
The plaza in downtown Santa Fe, a stroll from our hotel , was a terrific place to people watch, listen to music, window shop, and talk to the jewelry vendors selling their wares just outside of the Palace of the Governors (one of the oldest buildings in the country, dating back to 1610).
My favorite museum, New Mexico History Museum, tells the heartbreaking and captivating stories of the American Southwest – the native people, the Spanish colonists, the Mexicans, the Santa Fe trail, it’s all there! A bonus exhibit on Flamenco dance and music was a highlight. Turns out Santa Fe is a hot spot for Flamenco dance and culture.
Ruby Dressed as a flamenco dancer.
Then there was the Georgie O’Keeffe Museum showcasing a collections of paintings showing the evolution of her art throughout her career. I was as fascinated with her life as I was by her beautiful paintings. O’Keeffe lived 1887-1986, and spent much of her time at Ghost Ranch outside of Santa Fe, she was ahead of her time as an artist, traveler, observer, and independent woman.
It wasn’t all museums, we also took an afternoon to enjoy soaking and relaxing the 10,000 waves, a Japanese inspired spa just outside of Santa Fe. We also enjoyed the delicious and spicy Southwest cuisine and loved the crisp clear mornings and sunny afternoons.
One of the highlights of my week was teaching a the salsa in an elementary school next to a 4th grade Muslim girl who had a huge grin on her face the entire time. Her eyes were beaming as she gave me a big bear hug at the end of the class before heading out the door. In that moment of humanity, we were saying to each other, “I get you, and you get me.” I’ll never forget it.
I just spent one week in an elementary school in Shoreline- teaching a Cuban cultural/dance/and song workshop to 45 classes and 600 kids in all. This residency was made possible by a grant from a local arts organization, The Shoreline Arts Council. To say the least, it was rewarding, to take kids on a “classroom trip to Cuba.” I showed photos and videos of my trip, taught a tradition Yeruban song, a Spanish song, and taught the basic steps of two Cuban dance forms: Rumba, and Salsa. The previous week, I spent a day in a high school Spanish classroom giving the same workshop to 5 groups of high school seniors (150 students in all), yet another arts experience made possible with an arts grant.
You’ve heard it before, the arts transcends borders. When kids are exposed to the arts and culture through the arts, it broadens their world view, takes them outside of themselves, and makes them more compassionate human beings.
After one class, a second grader commented, “I see that even though a leader of a country can be thought of as not a nice person, that doesn’t mean the people that live there are bad.” Too true, my friend!
Here are some comments from the high school seniors:
M.K. I appreciated the opportunity to express myself through artistic movement
L.E. It was the most fun thing I’ve done in Spanish all year.
E.Z. It was cool to learn a tradition of another culture.
L.E. I’m glad I put myself out there to try it, it allowed me to be exposed to others.
Arts funding is currently under attack under our current administration. Please take a moment to read this article in the New York Times about the importance of arts and arts funding to our society.